During exhibition hours, audiences can step inside immersive digital worlds, test new video games, and connect to new artists and cultures by exploring the 20+ experiences at our newly transformed warehouse in False Creek Flats.
Immersive animation of ancient geologic upheaval combines with 360 video from a present-day mining community in this poetic VR experience.
Artist Amelia Winger-Bearskin confronts the idea of sky ownership using innovative AI techniques to visually erase man-made structures in her landscape photography and morph hand-drawn animations.
A modern take on a Yoruban Hymn honouring our ancestors.
Explore an immersive bat world in this interactive AI project , where social vocalizations are reinterpreted as evocative music set against digital recreations of their natural habitats.
A concept album for the age of the metaverse, confronting surveillance on the marginalized body in America.
sumaxatkʷ offers a beautiful prayer song and immersive experience to spark conversations about the beauty and importance of st̓xałq and land.
Join us for an inspiring afternoon of connection, curation, and celebration of Indigenous works in XR!
IM4 Lab proudly presents a rare opportunity to meet Co-Founder and Signals’ Co-Curator Loretta Todd, alongside incredible artists Michael Running Wolf and Caroline Old Coyote, Amelia Winger-Bearskin, Tracey Kim Bonneau, Kahentawaks Tiewishaw, and Raven John.
Discover their innovative works and learn about their journeys through talks and a roundtable discussion. This all-ages event is free, and open to everyone!
This session features highlighted talks from the artists, followed by a roundtable discussion.
Date: Sunday, October 4th, 2024
Time: 12–7 PM
Entry: Free
Complimentary tea and pemmican
11:00 – 12:30
13:00 – 14:30
15:00 – 16:30
17:30 – 19:00
(bar will be open and alcoholic beverages will be available for purchase)
10:00 – 11:30
12:00 – 13:30
13:30 – 15:00
16:00 – 17:30
Get the latest news about transformative, immersive works that will change the way you see the future.
